Arts & Photography Contemporary Art Books
This eBook version includes the Preface, Foreword and introductory texts only. Here is an authoritative and beautiful overview of the graphic art produced by artists, illustrators and writers who have used the typewriter as a tool and a medium. Marvin and Ruth Sackner mine the superlative collection they have created over four decades to present over 600 examples produced by more than 60 of the world's finest contributors to the genre. From early ornamental works produced by secretaries in the late 19th century to more recent works that consider the uniqueness of the typewritten document in the digital age, there is an astonishing and delightful range of creativity in every artwork. The publication features three main sections: an introduction to the history of the typewriter and its art; an expansive plate section showing key works, thematized and rendered in exquisite detail; and a reference section featuring biographies of the most influential artists and writers. Each book has a cover with a unique combination of front and back image, meaning no two books are the same. This is a once-in-a-generation publication, carefully curated through decades of first-hand experience to inspire a new wave of designers and artists for the future.
At publication date, a free ebook version of this title will be available through Luminos, University of California Press's Open Access publishing program. Visit www.luminosoa.org to learn more.The Hasegawa Reader is an open access companion to the bilingual catalogue copublished with The Noguchi Museum to accompany an international touring exhibition, Changing and Unchanging Things: Noguchi and Hasegawa in Postwar Japan. The exhibition features the work of two artists who were friends and contemporaries: Isamu Noguchi and Saburo Hasegawa. This volume is intended to give scholars and general readers access to a wealth of archival material and writings by and about Saburo Hasegawa. While Noguchi’s reputation as a preeminent American sculptor of the twentieth century only grows stronger, Saburo Hasegawa is less well known, despite being considered the most literate artist in Japan during his lifetime (1906–1957). Hasegawa is credited with introducing abstraction in Japan in the mid 1930s, and he worked as an artist in diverse media including oil and ink painting, photography, and printmaking. He was also a theorist and widely published essayist, curator, teacher, and multilingual conversationalist. This valuable trove of Hasegawa material includes the entire manuscript for a 1957 Hasegawa memorial volume, with its beautiful essays by philosopher Alan Watts, Oakland Museum Director Paul Mills, and Japan Times art writer Elise Grilli, as well as various unpublished writings by Hasegawa. The ebook edition will also include a dozen essays by Hasegawa from the postwar period, and one prewar essay, professionally translated for this publication to give a sense of Hasegawa’s voice. This resource will be an invaluable tool for scholars and students interested in midcentury East Asian and American art and tracing the emergence of contemporary issues of hybridity, transnationalism, and notions of a “global Asia."